Piracy is Courtney  manias main point of discussion when speaking to the digital Hollywood online entertainment conference in 2000.  esteems purpose is to  propound the  audition   almost what she believes   buccaneering to be and how artists  be affected.  get it on is  all the way  level-headed and she uses many statistics, such as how Toni Braxton  legitimate 35c from each  record album sale thanks to a terrible  put down  come down, demonstrating that her speech is well-researched. Love is honest with her audience, which builds her credibility, and offers her own opinion as she talks  virtually facts. She uses offensive language at  measure which makes her appear  truly passionate about what she is speaking about. Listing is another(prenominal) feature Love uses in her speech, such as facts,  raft and even lists of things we  conceive about but dont say or act upon. She  name and labels people so the audience knows  exactly what she is talking about and who she is referring to, l   ike Lars Ulrich, Napster, and Edgar Broufman the CEO of Seagram. Love starts off by introducing piracy and defining it. She immediately states that she is not referring to Napster-type software, but  major recording label contracts.

 She uses an anecdote, a fictional story, to demonstrate the  passing  betwixt how much money a rock  curing appears to be paid and how much actually goes into their pocket. Love clearly believes that  medication is special and personal and that record companies are exploiting this  intellect since artists are now working for them to make them money. Again, she talks about how it is piracy when the Act was amended    and emphasizes how unjust it is, using a re!   al-life  physical exertion of TLC. TLC received less that 2% of the $clxxv  cardinal earned by their CD  sales. Using the analogy, The  yearbook sales of cassettes, CDs and videos...                                        If you want to get a full essay,  fiat it on our website: 
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